She is the new rage of Bollywood


Deepika Padukone

BANGALORE: Now that Farah Khan's "Om Shanti Om" has been declared as a hit, Bangalore's Deepika Padukone is the new rage of the Bollywood. Long-limbed and fresh-faced Deepika's bubbly presence is another big reason for the film's success apart from Shahrukh Khan's charisma. More than anyone else, the person who is over the moon over Deepika's success is her father Prakash Padukone, the badminton legend.

For the past few days, the trainees of the Tata Padukone Badminton Academy have been watching the film, courtesy Deepika Padukone.

In a chat with The Hindu, Mr. Padukone gave full credit to his daughter.

"It was a good show and she worked for her success. I am proud that she has made an impact," he said.

What pleases him is the fact that Deepika was not a whit overawed by Shahrukh Khan or for that matter anyone else.

"She has always been level-headed and knows what she is doing," said Mr. Padukone.

If Deepika did not choose to be model or Bollywood star, she would have become the most glamorous badminton star in the country. She had played a few State-ranking tournaments as a sub-junior with moderate success. But badminton's loss was Bollywood's gain.

Mr. Padukone wants Deepika to choose her roles with care and pick the right ones.

"What I would love to see is that she plays some good roles, not just glamorous stuff," he said.

Will she act as badminton star now that films such as "Chak De" are a big success?

Mr. Padukone is excited by the thought. "Why not? That would be a good idea. She could enact my own story, how as a youngster I struggled to make it to the top, eating, sleeping and playing just badminton and struggling to go on tours and living always in suspense, whether I would board the flight or not. Yes, I think there is enough masala in it," he said.

If only I could:SRK

/photo.cms?msid=2548839
Shah Rukh Khan.

The All India Football Federation's dream of kick-starting the nation's first professional league with Bollywood's superstar Shah Rukh Khan has fallen flat.

The AIFF invited King Khan for the event to be held on November 24. However, the actor has declined. Confirming the news, SRK says, "Yes, they asked me. But I won't be able to attend the soccer match. I have a prior commitment."

He adds that he would have loved to attend it if he was free on that particular day. "I wish that I could have attended. I love football."
The actor, who played a hockey coach in Chak De! India, is actually a football lover. He is very passionate about the game. Not only does he follow the sport keenly but also indulges in a game of football every Sunday.

The buzz is that AIFF has approached John Abraham, whose next film Dhan Dhana Dhan Goal stars him as a footballer, but Abraham is yet to respond.

No age bar in Bollywood

/photo.cms?msid=2548445
JUST A NUMBER: Rajnikanth and Shriya in Sivaji.

Shah Rukh Khan, 42, finds it hard to digest that his heroine, Deepika Padukone, who towered over him in Om Shanti Om, is a mere 21.

I'm double her age, but if I were to kiss her, I'd probably reach her stomach," SRK joked on a television show, when asked about the age gap between them. And down south, Shriya Saran, 25, sizzled on the streets of France with a 58-year-old Rajnikanth in Sivaji. Earlier in the year, Amitabh Bachchan romanced a 34-year-old Tabu In Cheeni Kum and an even younger Jiah Khan in Nishabd — but in these cases, the stories themselves were May-December romances.

But with most of the reigning heroes in their 40s and a new crop of very young lead actresses arriving on the scene, pairings across age divides are a trend these days. "Older heroes have always romanced younger starlets in our films, but it has become more common now," says Ashwin Naidu, assistant director of Cheeni Kum. "Stars like MGR, Shivaji and and N T Ramarao have always run around trees with girls half their age. And as long as an artiste is saleable, age doesn't make a difference," he says. Ashwin adds that the Indian hero never grows old. "Even if he's 50 or 60, the audience will still accept him playing a 25-year-old college-goer. But I'm not sure if the same applies to heroines," he says.

Filmmaker Indrajit Lankesh too had a 19-year-old Deepika romancing a 30-plus Upendra, in Aishwarya. "But I made Uppi look much younger by giving him a makeover and he looked a convincing 25. He played an ad executive in the film, so the look suited him — he had a goatee, ear stud and some really cool wristbands and chains. The pairing was a big hit," says Indrajit. He agrees though that when a 40-year-old hero plays a college-goer, it does look silly. "But big stars like SRK, Rajnikant and Chiranjeevi get away with it because of mass appeal," says the filmmaker.

"I don't think it's a big deal if you're paired opposite a hero who's older to you, because it's all make believe anyway," says Sivaji girl Shriya. "People shouldn't confuse reel-life with real; it's not like I'm romancing a 50-plus man off-screen," she laughs. "Anyway, when I was doing Sivaji, I never felt awkward playing the love interest of Rajni sir. In fact, I felt lucky because I was getting to learn so much from him; his age was not a concern," she adds.

Actress Priyanka Upendra, who debuted in Kannada in Kotigobba with a much older Vishnuvardhan, says "But I don't think the age gap is an issue because most established stars are over 40," she says. "Also, they don't look their age because they're fit and well-maintained. And fans who treat their heroes like gods will accept anything they do. Kotigobba ran for 100 days. Besides, I think fans might actually like to see their heroes romancing a younger heroine."

Shah Rukh in smoking row

MUMBAI: Bollywood superstar Shah Rukh Khan refused to accept the charges levelled against him for defying an Anti-Smoking Act during the recent Twenty20 cricket match in Mumbai.

National Organisation for Tobacco Eradication, an anti-smoking group, had issued legal notice against Khan for allegedly lighting up in public in violation of India's anti-smoking law. "This is not how a superstar should behave... Adored by millions (he) shouldn't lend a helping hand to promote smoking," the group's general secretary Shekhar Salkar said.

Exclusive: ‘The names Bollywood can rely on’

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
For an Industry that produces around 200 films annually, and where much hype is generated around 'big' ventures, you would have thought the place would be teeming with saleable stars.

The truth, however, is that Bollywood has precisely three actors who can sell a film on their name - Shah Rukh Khan, Hrithik Roshan and Aamir Khan.

"Statistics have proved that others like Saif Ali Khan, Akshay Kumar, Salman Khan, Amitabh Bachchan, Abhishek Bachchan and John Abraham have to be sold in clever packages," says a trade analyst.

Of course, if the film itself is appreciated ¬like a 'Lage Raho Munnabhai', 'Malamaal Weekly', 'Gangster'; 'Khosla Ka Ghosla' or 'Corporate', all of whom made it to the 2006 hit list - the stars don't matter.

Shah Rukh, Farah say `sorry', but Manoj Kumar unmoved

image

 

Mumbai, Nov 16  Bollywood actor Shah Rukh Khan and director Farah Khan Friday said "sorry" to Manoj Kumar for what he perceived as his humiliation in a scene in the recently-released "Om Shanti Om". But the legendary actor is reportedly unmoved.

According to Bollywood trade sources, Manoj Kumar has not accepted the apology yet.

"The two (Shah Rukh and Farah) will be required to do a lot more to convince him to forgive and forget," the trade sources told  Friday night.

The thespian had taken offence to a '70s scene in the film which shows a young Manoj Kumar (played by a double) being beaten by police constables outside a theatre when he lands there for a premiere. The thespian had reportedly wanted to sue the filmmaker and Shah Rukh Khan for defamation and a deliberate attempt to humiliate him.

"I and Farah have apologised to Manoj-ji over phone and we will go to meet him personally as well," Shah Rukh Khan said at a specially convened press conference here.

"He (Manoj Kumar) was very sweet and said there was no need to apologise, 'you are like my children'. We even offered to remove the scene from the film if it hurt him so much, but he said there was no need at all for that," said Farah.

Shah Rukh also said that the scene was not intended to hurt anyone.

"Any part of the film was not meant to demean anyone. But if he (Manoj) came on television and was so disturbed about it, we extend a heartfelt apology to him," he added.

Manoj had earlier stated that a junior artiste had told him that he had played his double in the film. According to Manoj, he had met Farah about two months back and told her that if she wanted he would gladly appear in her film. But she had said she only wanted a double to portray him in a '70s scene for a film premiere. Apparently, the actor did not like seeing his double in the film.

However, Farah said she had informed the actor about using a double in the film.

"I had met him a few months back and told him that we were using his double in the film."

Commenting on what could have averted the controversy, Shah Rukh said: "Probably this wouldn't have happened if we would have invited him (Manoj Kumar)..."

Shahrukh Khan apologises to Manoj Kumar

Mumbai : Cine star Shahrukh Khan on Friday tendered an unqualified apology to thespian Manoj Kumar for making a spoof on the latter in his latest release `Om Shanti Om' while the film's director Farah Khan offered to delete the offending scene.

Addressing a hurriedly-called press conference here, Khan and Farah said they had no intention to hurt the veteran actor's sentiments and they were only making a parody.

Apologising to Kumar, the Bollywood superstar said "I was completely wrong...If if he is hurt, I apologise."

"I called him in the afternoon and the first thing he said to me was "it is no big deal, son", Khan said.

"People do parody...it is a done thing," Khan further said, adding Kumar had every right to say anything to him.

Khan's apology came soon after Kumar threatened to take legal action over a sequence in the hit movie, which spoofs the film world of 1970s.

Khan plays the lead role in the movie which is his home production under the banner of Red Chillies Entertainment.

Farah said she offered to delete the particular scene from the film but the veteran actor said there was no need for it.

Manoj Kumar to sue Shah Rukh and Farah Khan

Just as one thought that all the hype surrounding Om Shanti Om has slowly settled, here comes yet another interesting bit of news regarding the film. The 'Bharat' of Bollywood, Manoj Kumar, is really upset at the way he has been made fun of in the Shah Rukh Khan starrer and is even planning to sue Farah and Shah Rukh Khan.

Om Shanti Om, which is based on the Hindi film industry of the 70's shows a scene in which a Manoj Kumar look-alike is not allowed to enter the premiere of a film by the cops as they can't recognise him. Although Farah Khan had informed Manoj Kumar that she would be using a body-double of him, the actor claimed that never in his wildest dreams did he think that he would be portrayed in such bad light.

However, when contacted, Farah Khan was quite amused at the allegations and said that they never meant to show any disrespect and that she herself was a huge Manoj Kumar fan. She also added that it was all done in good humour.

Soha Ali Khan's ride to the moon


Puja Talwar

Friday, November 16, 2007: (New Delhi):

Bollywood is in Flashback mode after the swinging 70's its time to relive the magic of the 50's in Indian cinema in Sudhir Mishra's Khoya Khoya Chand.

For beautiful actress Soha Ali Khan playing the lead in this film was special.

"You can say it's my introduction. I have always been part of an ensemble cast but its me alone," said Soha.

Carrying a film may weigh heavily on Soha but playing Nikhat in Khoya Khoya Chand was tougher.

"My mother felt I was too immature to play a character like Nikhat. I have no experiences to the kind my mother and heroines in those days had. Though I am a Muslim actress in 2007 and play a Muslim actress in 1953 but I think these women were so progressive and today roles like these are not written any more the way they were for these ladies," said Soha.

Khoya Khoya Chand is a turbulent love story between a writer director and a star.

Soha said she did find inspiration in Bollywood's own love stories.

"I could be anyone of them I am something like a Waheeda and in the end you see shades of Meena Kumari," said Soha.

Khoya Khoya Chand releases on December 7.

Bollywood stars reach out to children

 

When Television commercials, consumer goods and holiday packages are all wooing children, can celebrities be far behind? Bollywood`s biggest stars took time off their busy schedule to spend some quality time with children on November 14.

King Khan and his Om Shanti Om co-stars Deepika Padukone and Arjun Rampal held a special screening of the movie in Mumbai for underprivileged kids. The trio were seen interacting with the kids and even showed them a few dance moves.

I won't repeat my mom's mistake: Soha Ali Khan

 


Soha Ali Khan.

Mumbai,  Sharmila Tagore shocked all and sundry by wearing a two-piece bikini in An Evening in Paris, but she has a very different approach towards daughter Soha Ali Khan and tells her how to fight off the minimal-clothes menace.

"She told me that if producers want me to get into a bikini just because she did so once, I'm supposed to say, 'My mom made some mistakes. I won't repeat them.' There are some things which I don't need to be told not to do, just as I've my own list of dos," Soha told IANS

It took Soha's glamorous mother quite a long time to go from Satyajit Ray to a glamorous double role in Shakti Samanta's An Evening In Paris.

But Soha is already there in less than a year and will be seen in a double role in Aparna Sen's next.

"And the best part is mom too is part of the film. So it will be great fun to shoot. It will also be my first film with a female director, and I'm really looking forward to being directed by a woman," said Soha whose period love story "Khoya Khoya Chand" is ready to hit the screens soon.

Soha got rave reviews for her performance as the stifled bride in a feudal household in Rituparno Ghosh's Antarmahal. She had a lot of difficult, explicit scenes with Jackie Shroff in the movie.

"They may look difficult to the spectator. But they weren't that tough to do. Rituda showed me exactly what to do. My co-star Jackie was far more nervous and embarrassed than I was. He told my mother he'd never be able to do those scenes if she was around on the sets. We took every precaution. Everyone except the immediate crew and cast was ordered out of the sets. Rituda took good care of me. It didn't seem tough. "

Soha makes no bones about her aspirations as an actor.

"I'm not too old in the industry, still finding my way around. I can't say whether I'm cut out for 'Shaadi No. 1' or 'Antarmahal'. Ideally I'd like to do both kinds of cinema, just like my mom did. There're some things I won't be comfortable doing.

"Sometimes I feel I belong to another era. That's when 'Antarmahal' seems like my cup of tea. Then again I want to do a young contemporary girl's role because that's what I'm in real life. In 'Rang De Basanti', I played a young college-going girl. I like that."

Rani Mukerji in trouble for buying farmland

 


Rani Mukerji.

Pune, Nov 14  The district collector of Ahmednagar, Umakant Dangat, Wednesday ordered an enquiry into the reported purchase of agricultural land by Bollywood actress Rani Mukerji.

Dangat told IANS: "Rani Mukerji's father had come here a few days ago to have the land registered in their names but the land was already allotted for farming purposes."

The district's sub divisional officer has sent an inquiry notice to Rani with respect to the land, which she had allegedly purchased from an agent named Sampat More in village Nimba Korchali, about 400 km from Mumbai.

Dangat said the size of the land is 11 guntas (one fourth of an acre). However, the cost of the land hasn't been determined yet.

Rani reportedly paid Rs 33 lakh in December 2005 for the farmland near Shirdi in Maharashtra, not realizing the land is non transferable.

She even registered the sale deed paying Rs 1.32 lakh stamp duty in the district tehsildar office. The tehsildar now says ownership of the land cannot be transferred to Rani since it is government land leased out to a farmer.

The deal has been scrapped by the district collector.

"They should have inquired before getting into a transaction," said Dangat.

The sub divisional officer will scrutinize the records of the parties involved and pass an order thereafter.

Sampat More is now reportedly willing to return the money to Rani. The land was purchased in the name of Rani's father Ram Mukherjee.

Seventeen other people in the area have been duped in land cases in a similar manner.

Bollywood Actress Kareena at Trendz Fashion Ramp

[kareena3md8.jpg] 
 
[kareena1ws9.jpg] 

Bollywood's hyped disasters

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
It's been a year of the underdog, and a series of heavily promoted films have made headlines -- but haven't done much more.

Here, in the wake of Sanjay Leela Bhansali's Saawariya getting a royal flogging from critics, is a look at some other films that haven't managed to go the distance -- at least the distance expected from them.

'Saawariya' is a work of Bollywood-style magic

Raj (Ranbir Kapoor) and Sakina (Sonam Kapoor) get up close and personal as they begin to make a romantic connection in the new big-budget Bollywood film
Media Credit: Photo courtesy of Sony Pictures Classics
Raj (Ranbir Kapoor) and Sakina (Sonam Kapoor) get up close and personal as they begin to make a romantic connection in the new big-budget Bollywood film "Saawariya."

Raj (Ranbir Kapoor) transforms from an average Joe into a dashing and romantic Don Juan in the film
Media Credit: Photo courtesy of Sony Pictures Classics
Raj (Ranbir Kapoor) transforms from an average Joe into a dashing and romantic Don Juan in the film "Saawariya."
Some kind of nothingness buds into some kind of constellation of love then lost love. This is what it is, in Sanjay Leela Bhansali's poetic new film "Saawariya."

A huge part of this movie, however dreamy and fluid, relies on one of its most crushing aspects, which makes the entire journey sweeter and then weightless in the end. And it's that Bhansali knows his movie would be an impossible reality, not even for a night in our dreams.

Bhansali composes in "Saawariya" an imaginary world hard to emulate. The movie threshes on a cool sweetness for its majority and then turns things sideways, and in the process the audience examines some of humans' deepest emotions. Yet, it's all very fantasy-like, the one thing that'd save one from jumping into the screen to save the starry-eyed protagonist, Raj.

In this new hit from Bollywood, we meet a character unfulfilled and waiting for life's natural magic to strike. He is a symphony of grays on the inside, though a monolithic influence to the people in his surroundings.

Call it a form of karma, call it a symbol for suffering or call it the condition of Raj, played by newcomer Ranbir Kapoor, whose storm of talent includes de rigueur dancing and, as it appears on film, singing (Kapoor pulls a Britney Spears here; the soundtrack lists the rightful singing sensations, actually).

Raj is known as Saawariya, or "rock star," to his closest admirers who accumulate at the local nightclub where he works alongside Gulab (Rani Mukherjee), who immediately gets Raj's drift.

Raj, being the unsettled dreamer that he is, tramples into Gulab's neighborhood, a starry Red Light District, where he is transported into a vision of seeing his self-worth.

The setting becomes arousing with its visual saturation of splendor and mystery. It is a place that can be imagined as in a past time, as well as in the future. The lakes have no end and the backdrops are brightly embellished with oversized lotuses and Buddhas. In contrast to the smoky faraway, there is a pulse of blues and greens that help unfold this dreamscape of a world.

Suddenly, things start to click for Raj. He makes the transition from marginal pedestrian to poet and romantic. He has aspirations that could blossom into culminating a talent as tall as Fred Astaire's. Rapidly, he becomes a sort of local Romeo, too, making the women swoon.

With Raj's infectious dancebody in business, he puts the prostitutes to work by doing some dancing in a vast shimmery unison. Then, with Gulab's help, Raj is pointed in a safe direction to Lillian, an older woman who lives abandoned with ghosts of her dead son and husband.

And right when Raj's whistle becomes too heavy he meets Sakina, played by Sonam Kapoor, also a newcomer to the Bollywood scene. She is the missing piano, viola, trumpet and trombone to Raj's orchestra.

This is where takeoff begins.

Their affection for each other is fast and better said without words or configured through a kind of geometry. It is more like a gesture or emotion, like one that's interwoven in India's highly personal relationship with worshipping the seasons.

In "Saawariya," there is a steady magic that brushes over the obsession of the moon as an object of worship. In Sakina's case, she is all about the moon. It's this specific kind of yearning where the lust and masks of her true love come off.

In Indian folk tradition, this is where the person stands up and asks for nature to bring to them something they've sweated out in unbearable lengths of anticipation.

"No dark can harm those enlightened by love," Sakina mutters in her most forward moment, crushing the silence of her gashed yearning for another man, Imaan.

Without the sex and without vulgarity, this movie plays along with an infatuation and passion almost too wrong to live by. It is something undreamt of in American cinema today, which makes watching this Hindi film like being lost in a fairy tale wonderland, all while enjoying the task of reading the subtitles.

Visually, there is not a smudge of imperfection anywhere.

The motion of the story and its unfolding is yoga-like and painless.

Yet, the most crushing part could be digesting the part about lost love, and if it can be survived by dreamers like Raj.