Shah Rukh, Farah say `sorry', but Manoj Kumar unmoved

image

 

Mumbai, Nov 16  Bollywood actor Shah Rukh Khan and director Farah Khan Friday said "sorry" to Manoj Kumar for what he perceived as his humiliation in a scene in the recently-released "Om Shanti Om". But the legendary actor is reportedly unmoved.

According to Bollywood trade sources, Manoj Kumar has not accepted the apology yet.

"The two (Shah Rukh and Farah) will be required to do a lot more to convince him to forgive and forget," the trade sources told  Friday night.

The thespian had taken offence to a '70s scene in the film which shows a young Manoj Kumar (played by a double) being beaten by police constables outside a theatre when he lands there for a premiere. The thespian had reportedly wanted to sue the filmmaker and Shah Rukh Khan for defamation and a deliberate attempt to humiliate him.

"I and Farah have apologised to Manoj-ji over phone and we will go to meet him personally as well," Shah Rukh Khan said at a specially convened press conference here.

"He (Manoj Kumar) was very sweet and said there was no need to apologise, 'you are like my children'. We even offered to remove the scene from the film if it hurt him so much, but he said there was no need at all for that," said Farah.

Shah Rukh also said that the scene was not intended to hurt anyone.

"Any part of the film was not meant to demean anyone. But if he (Manoj) came on television and was so disturbed about it, we extend a heartfelt apology to him," he added.

Manoj had earlier stated that a junior artiste had told him that he had played his double in the film. According to Manoj, he had met Farah about two months back and told her that if she wanted he would gladly appear in her film. But she had said she only wanted a double to portray him in a '70s scene for a film premiere. Apparently, the actor did not like seeing his double in the film.

However, Farah said she had informed the actor about using a double in the film.

"I had met him a few months back and told him that we were using his double in the film."

Commenting on what could have averted the controversy, Shah Rukh said: "Probably this wouldn't have happened if we would have invited him (Manoj Kumar)..."

Shahrukh Khan apologises to Manoj Kumar

Mumbai : Cine star Shahrukh Khan on Friday tendered an unqualified apology to thespian Manoj Kumar for making a spoof on the latter in his latest release `Om Shanti Om' while the film's director Farah Khan offered to delete the offending scene.

Addressing a hurriedly-called press conference here, Khan and Farah said they had no intention to hurt the veteran actor's sentiments and they were only making a parody.

Apologising to Kumar, the Bollywood superstar said "I was completely wrong...If if he is hurt, I apologise."

"I called him in the afternoon and the first thing he said to me was "it is no big deal, son", Khan said.

"People do parody...it is a done thing," Khan further said, adding Kumar had every right to say anything to him.

Khan's apology came soon after Kumar threatened to take legal action over a sequence in the hit movie, which spoofs the film world of 1970s.

Khan plays the lead role in the movie which is his home production under the banner of Red Chillies Entertainment.

Farah said she offered to delete the particular scene from the film but the veteran actor said there was no need for it.

Manoj Kumar to sue Shah Rukh and Farah Khan

Just as one thought that all the hype surrounding Om Shanti Om has slowly settled, here comes yet another interesting bit of news regarding the film. The 'Bharat' of Bollywood, Manoj Kumar, is really upset at the way he has been made fun of in the Shah Rukh Khan starrer and is even planning to sue Farah and Shah Rukh Khan.

Om Shanti Om, which is based on the Hindi film industry of the 70's shows a scene in which a Manoj Kumar look-alike is not allowed to enter the premiere of a film by the cops as they can't recognise him. Although Farah Khan had informed Manoj Kumar that she would be using a body-double of him, the actor claimed that never in his wildest dreams did he think that he would be portrayed in such bad light.

However, when contacted, Farah Khan was quite amused at the allegations and said that they never meant to show any disrespect and that she herself was a huge Manoj Kumar fan. She also added that it was all done in good humour.

Soha Ali Khan's ride to the moon


Puja Talwar

Friday, November 16, 2007: (New Delhi):

Bollywood is in Flashback mode after the swinging 70's its time to relive the magic of the 50's in Indian cinema in Sudhir Mishra's Khoya Khoya Chand.

For beautiful actress Soha Ali Khan playing the lead in this film was special.

"You can say it's my introduction. I have always been part of an ensemble cast but its me alone," said Soha.

Carrying a film may weigh heavily on Soha but playing Nikhat in Khoya Khoya Chand was tougher.

"My mother felt I was too immature to play a character like Nikhat. I have no experiences to the kind my mother and heroines in those days had. Though I am a Muslim actress in 2007 and play a Muslim actress in 1953 but I think these women were so progressive and today roles like these are not written any more the way they were for these ladies," said Soha.

Khoya Khoya Chand is a turbulent love story between a writer director and a star.

Soha said she did find inspiration in Bollywood's own love stories.

"I could be anyone of them I am something like a Waheeda and in the end you see shades of Meena Kumari," said Soha.

Khoya Khoya Chand releases on December 7.

Bollywood stars reach out to children

 

When Television commercials, consumer goods and holiday packages are all wooing children, can celebrities be far behind? Bollywood`s biggest stars took time off their busy schedule to spend some quality time with children on November 14.

King Khan and his Om Shanti Om co-stars Deepika Padukone and Arjun Rampal held a special screening of the movie in Mumbai for underprivileged kids. The trio were seen interacting with the kids and even showed them a few dance moves.

I won't repeat my mom's mistake: Soha Ali Khan

 


Soha Ali Khan.

Mumbai,  Sharmila Tagore shocked all and sundry by wearing a two-piece bikini in An Evening in Paris, but she has a very different approach towards daughter Soha Ali Khan and tells her how to fight off the minimal-clothes menace.

"She told me that if producers want me to get into a bikini just because she did so once, I'm supposed to say, 'My mom made some mistakes. I won't repeat them.' There are some things which I don't need to be told not to do, just as I've my own list of dos," Soha told IANS

It took Soha's glamorous mother quite a long time to go from Satyajit Ray to a glamorous double role in Shakti Samanta's An Evening In Paris.

But Soha is already there in less than a year and will be seen in a double role in Aparna Sen's next.

"And the best part is mom too is part of the film. So it will be great fun to shoot. It will also be my first film with a female director, and I'm really looking forward to being directed by a woman," said Soha whose period love story "Khoya Khoya Chand" is ready to hit the screens soon.

Soha got rave reviews for her performance as the stifled bride in a feudal household in Rituparno Ghosh's Antarmahal. She had a lot of difficult, explicit scenes with Jackie Shroff in the movie.

"They may look difficult to the spectator. But they weren't that tough to do. Rituda showed me exactly what to do. My co-star Jackie was far more nervous and embarrassed than I was. He told my mother he'd never be able to do those scenes if she was around on the sets. We took every precaution. Everyone except the immediate crew and cast was ordered out of the sets. Rituda took good care of me. It didn't seem tough. "

Soha makes no bones about her aspirations as an actor.

"I'm not too old in the industry, still finding my way around. I can't say whether I'm cut out for 'Shaadi No. 1' or 'Antarmahal'. Ideally I'd like to do both kinds of cinema, just like my mom did. There're some things I won't be comfortable doing.

"Sometimes I feel I belong to another era. That's when 'Antarmahal' seems like my cup of tea. Then again I want to do a young contemporary girl's role because that's what I'm in real life. In 'Rang De Basanti', I played a young college-going girl. I like that."

Rani Mukerji in trouble for buying farmland

 


Rani Mukerji.

Pune, Nov 14  The district collector of Ahmednagar, Umakant Dangat, Wednesday ordered an enquiry into the reported purchase of agricultural land by Bollywood actress Rani Mukerji.

Dangat told IANS: "Rani Mukerji's father had come here a few days ago to have the land registered in their names but the land was already allotted for farming purposes."

The district's sub divisional officer has sent an inquiry notice to Rani with respect to the land, which she had allegedly purchased from an agent named Sampat More in village Nimba Korchali, about 400 km from Mumbai.

Dangat said the size of the land is 11 guntas (one fourth of an acre). However, the cost of the land hasn't been determined yet.

Rani reportedly paid Rs 33 lakh in December 2005 for the farmland near Shirdi in Maharashtra, not realizing the land is non transferable.

She even registered the sale deed paying Rs 1.32 lakh stamp duty in the district tehsildar office. The tehsildar now says ownership of the land cannot be transferred to Rani since it is government land leased out to a farmer.

The deal has been scrapped by the district collector.

"They should have inquired before getting into a transaction," said Dangat.

The sub divisional officer will scrutinize the records of the parties involved and pass an order thereafter.

Sampat More is now reportedly willing to return the money to Rani. The land was purchased in the name of Rani's father Ram Mukherjee.

Seventeen other people in the area have been duped in land cases in a similar manner.

Bollywood Actress Kareena at Trendz Fashion Ramp

[kareena3md8.jpg] 
 
[kareena1ws9.jpg] 

Bollywood's hyped disasters

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
It's been a year of the underdog, and a series of heavily promoted films have made headlines -- but haven't done much more.

Here, in the wake of Sanjay Leela Bhansali's Saawariya getting a royal flogging from critics, is a look at some other films that haven't managed to go the distance -- at least the distance expected from them.

'Saawariya' is a work of Bollywood-style magic

Raj (Ranbir Kapoor) and Sakina (Sonam Kapoor) get up close and personal as they begin to make a romantic connection in the new big-budget Bollywood film
Media Credit: Photo courtesy of Sony Pictures Classics
Raj (Ranbir Kapoor) and Sakina (Sonam Kapoor) get up close and personal as they begin to make a romantic connection in the new big-budget Bollywood film "Saawariya."

Raj (Ranbir Kapoor) transforms from an average Joe into a dashing and romantic Don Juan in the film
Media Credit: Photo courtesy of Sony Pictures Classics
Raj (Ranbir Kapoor) transforms from an average Joe into a dashing and romantic Don Juan in the film "Saawariya."
Some kind of nothingness buds into some kind of constellation of love then lost love. This is what it is, in Sanjay Leela Bhansali's poetic new film "Saawariya."

A huge part of this movie, however dreamy and fluid, relies on one of its most crushing aspects, which makes the entire journey sweeter and then weightless in the end. And it's that Bhansali knows his movie would be an impossible reality, not even for a night in our dreams.

Bhansali composes in "Saawariya" an imaginary world hard to emulate. The movie threshes on a cool sweetness for its majority and then turns things sideways, and in the process the audience examines some of humans' deepest emotions. Yet, it's all very fantasy-like, the one thing that'd save one from jumping into the screen to save the starry-eyed protagonist, Raj.

In this new hit from Bollywood, we meet a character unfulfilled and waiting for life's natural magic to strike. He is a symphony of grays on the inside, though a monolithic influence to the people in his surroundings.

Call it a form of karma, call it a symbol for suffering or call it the condition of Raj, played by newcomer Ranbir Kapoor, whose storm of talent includes de rigueur dancing and, as it appears on film, singing (Kapoor pulls a Britney Spears here; the soundtrack lists the rightful singing sensations, actually).

Raj is known as Saawariya, or "rock star," to his closest admirers who accumulate at the local nightclub where he works alongside Gulab (Rani Mukherjee), who immediately gets Raj's drift.

Raj, being the unsettled dreamer that he is, tramples into Gulab's neighborhood, a starry Red Light District, where he is transported into a vision of seeing his self-worth.

The setting becomes arousing with its visual saturation of splendor and mystery. It is a place that can be imagined as in a past time, as well as in the future. The lakes have no end and the backdrops are brightly embellished with oversized lotuses and Buddhas. In contrast to the smoky faraway, there is a pulse of blues and greens that help unfold this dreamscape of a world.

Suddenly, things start to click for Raj. He makes the transition from marginal pedestrian to poet and romantic. He has aspirations that could blossom into culminating a talent as tall as Fred Astaire's. Rapidly, he becomes a sort of local Romeo, too, making the women swoon.

With Raj's infectious dancebody in business, he puts the prostitutes to work by doing some dancing in a vast shimmery unison. Then, with Gulab's help, Raj is pointed in a safe direction to Lillian, an older woman who lives abandoned with ghosts of her dead son and husband.

And right when Raj's whistle becomes too heavy he meets Sakina, played by Sonam Kapoor, also a newcomer to the Bollywood scene. She is the missing piano, viola, trumpet and trombone to Raj's orchestra.

This is where takeoff begins.

Their affection for each other is fast and better said without words or configured through a kind of geometry. It is more like a gesture or emotion, like one that's interwoven in India's highly personal relationship with worshipping the seasons.

In "Saawariya," there is a steady magic that brushes over the obsession of the moon as an object of worship. In Sakina's case, she is all about the moon. It's this specific kind of yearning where the lust and masks of her true love come off.

In Indian folk tradition, this is where the person stands up and asks for nature to bring to them something they've sweated out in unbearable lengths of anticipation.

"No dark can harm those enlightened by love," Sakina mutters in her most forward moment, crushing the silence of her gashed yearning for another man, Imaan.

Without the sex and without vulgarity, this movie plays along with an infatuation and passion almost too wrong to live by. It is something undreamt of in American cinema today, which makes watching this Hindi film like being lost in a fairy tale wonderland, all while enjoying the task of reading the subtitles.

Visually, there is not a smudge of imperfection anywhere.

The motion of the story and its unfolding is yoga-like and painless.

Yet, the most crushing part could be digesting the part about lost love, and if it can be survived by dreamers like Raj.

Deepika Padukone's brand valuation bracketed with top actresses

 


Deepika padukone at the launch of Parachute oil.

Bollywood debutant star Deepika Padukone, brand ambassador for Parachute hair oil, unveiled the Parachute Massager at Taj President, Mumbai, Tuesday, November 13, afternoon.

Deepika looked presentable but understated in a belted brown skinny denims with white classic shirt, high heeled pumps and large silver hoops.

Following the success of Om Shanti Om (OSO), Deepika is being increasingly sought by the consumer industry to promote their products.

The Bangalore based model, who was recently in the capital to launch a designer clothing store, now commands a brand valuation of over Rs 80 lakh post-OSO. She was earlier paid Rs 15-20 lakh for every advertisement, reports the Economic Times.


Deepika padukone at the launch of Parachute oil.

"Her brand valuation is now in the bracket of top actresses. If not the same, her valuation is close to top actresses in the industry," says Pooja Dadlani, VP of Bling Entertainment, celebrity management agency for Deepika Padukone.

Deepika's big ticket endorsements include Liril, Close-Up, Levi's Strauss Signature, Limca, Maybelline and Kingfisher Airlines.

The debuts of the first family of Bollywood

It's an acknowledged fact that the Kapoors belong to the first family of Hindi cinema. It started from the legendary Prithviraj Kapoor, and continues to this day with Ranbir Kapoor.

But not many know that Prithviraj went against the wishes of his family when he joined the Hindi film industry. His grandfather Dewan Keshavmal Kapoor was a tehsildar (chief of town/village council) and father was in the police. Prithviraj started his career as an extra, but soon landed a lead role in Cinema Girl (1930).

Ranbir's launch, Saawariya, enjoyed a lot of hype, as it a Kapoor son was making a debut after a long, long time. The film may not have done as well but that's another story. We take a look at the Kapoor debuts through the ages.

Katrina Kaif: An underrated Bollywood talent

 


Katrina Kaif.

The buzz this year has revolved around Deepika Padukone and Sonam Kapoor on the new comer end or Aishwarya Rai and Priyanka Chopra on the established star end. In the midst, Katrina Kaif's endearing screen presence has been noticed but not adequately acknowledged.

Katrina, 23, has delivered three back to back big hits this year with Namastey London, Partner and Apne, which is more than what Aishwarya Rai or Priyanka Chopra have done.

In all the three films her presence tended to linger in the mind a lot longer than say Vidya Balan's performance in a big hit like Heyy Babyy. We are saying this despite being unabashed Vidya Balan fans.

Yet the Indian press is inclined to treat Katrina more as a Salman accessory than one of the most outstanding talents of 2007.

Earlier this year Katrina and Salman appeared together on public platforms suggesting a deepening romance. There were persistent media stories that a wedding was in the offing with some reports pinning it on Christmas day.

"People have been writing about Salman and me for the past five years. There's no issue to talk about and that is what I've been saying all this while," Katrina says

It has now been quiet some time since a media story suggested a Salman - Katrina wedding is on the cards.

Going by public appearances, the romance, if it was ever there, has run its course.

Katrina says "I'm too young" for marriage.

"I have a lot of stuff to do before I get married. I'm trying to settle my family in London. And you never know how things turn out in the long run."

What Katrina has going for her is natural talent and good looks. Her screen presence is consistently endearing.

What she does not have going for her is her British accent. As long as she is playing a NRI it goes but when playing the role of a girl in India it is limiting.

In the past Katrina has used someone else's voice in her films but lately she has been keen to use her own. We are not very sure that is a good move on her part just yet.

Katrina's forthcoming films include Main Yuvraj in which she is paired for the first time opposite Salman Khan and Race in which she is paired opposite Akshaye Khanna.

Cruise's Lions mauled by Bollywood

Lions for Lambs 372x192
Not the mane event... Lions for Lambs
 


There will be no comfort for Tom Cruise from film fans outside America. Lions for Lambs, the first movie studio United Artists has produced under his leadership, was outroared at the worldwide box-office by a Bollywood production, after garnering disappointing results Stateside.

The Robert Redford-directed movie, a dialogue-heavy drama centring on the war in Afghanistan and starring Cruise, Redford and Meryl Streep, took £4.9m from 45 countries. Its relative failure followed negative reviews, especially in the UK and Germany, and a disappointing result at the US box-office.

Lions for Lambs appears to have been trounced by Indian movies Om Shanti Om, a tribute to 1970s Bollywood films, and Saawariya, a three-hour musical based on White Nights, a Fyodor Dostoyevsky short story.

According to Variety, Om Shanti Om took in £8.2m while Saawariya cashed in £6.9m - placing Lions for Lambs at number three. However, Reuters crowns Saawariya as this weeks' winner, with £7.4m in intakes, with Lions for Lambs the runner-up film.

Whoever the precise winner was, the result looks like a rare victory for Bollywood over Hollywood. Despite their high popularity, Indian films seldom reach the upper echelons of the worldwide box-office. However, on this occasion, the Hindu religious holiday of Diwali had local film-goers flocking to cinemas.

Further down the charts, the Ben Stiller comedy The Heartbreak Kid added another £4.1m to its total intakes outside America of £19.8m. One place below found the Pixar animated feature Ratatouille, which cooked up more than £3.8m this week.

Bollywood bug bites Majidi

When Majid Majidi, one of the top Iranian directors, was in Delhi recently, it was to discuss his new film. With one of his assistant directors, Ramyar Rossoukh, who even doubled as his translator (no, sadly Majidi didn't talk directly to us in English) this veteran director began talking about his next film which will be set in India.
 
"We at SpotBoy had worked on a script and approached Majidi as we felt only he could do justice to it. However, he was already working on a script that interested us and after some rounds of discussions we decided to enter a partnership with him for a film that will now be shot in India," says Vikas Bahl, creative and business head, SpotBoy, UTV.
 
While it is unclear how much will be spent on Majidi's film, SpotBoy, which has already roped in directors like Shyam Benegal and Anurag Kashyap for its brand of films, will work on medium- and big-budget films.
 
In other words, depending upon the scripts, films under SpotBoy, UTV's second motion picture brand, will be made anywhere between Rs one crore and Rs 30 crore.
 
While Majidi says that the rich Indian culture (reflective even in Bollywood) has always interested him, what he wants to create with his first Bollywood outing is a synergy between the artistes of Iran and India.
 
"The cast and crew will be from India and Iran though my cinematographer Tooraj Mansouri will be a constant," says Majidi. He adds, "I like working with amateur artistes and I might do the same for this film too."
 
While he is tight-lipped about his first Indian film project, Bahl hopes to launch the film within the next eight months. "We are here to make films with very strong scripts," he says.
 
For now, let's wait and watch the magic that Majidi creates in India with his next film.

Saavn and Bollywood Awards collaborate

MUMBAI: Saavn has partnered with the Bollywood Music and Fashion Awards, which is now in its eighth year.   With this new partnership, Saavn and the Bollywood Group deliver even more of the South Asian content to audiences.

 

Saavn is a web community and social network that connects people through a common interest - South Asian content. Members can take view Bollywood and other South Asian film, music, television, sports and events on Saavn.com.

 

The Bollywood Group will also showcase the Saavn and Verizon Wireless contest where Saavn and Verizon are flying one lucky winner and a guest to India to meet actor Shah Rukh Khan, with the "Verizon, Shah Rukh and YOU!" contest. The prize includes two roundtrip airline tickets from the United States to Mumbai for an exclusive meeting with Khan.

 

"Saavn and Bollywood Group share a common vision, and that is to bring the best of Bollywood to fans all over the world, be that through live shows, movie distribution or ringtones on cell phones. Together, we can increase the visibility of Bollywood to an even greater extent and we find that tremendously exciting," said Bollywood Group vice president Rajiv Dandona.

 

"Through this partnership, we're proud to help serve the diverse, multicultural communities. The Bollywood Music and Fashion Awards have always been a great platform for all things South Asian," said Saavn co-founder and general manager Vin Bhat.