I won't repeat my mom's mistake: Soha Ali Khan

 


Soha Ali Khan.

Mumbai,  Sharmila Tagore shocked all and sundry by wearing a two-piece bikini in An Evening in Paris, but she has a very different approach towards daughter Soha Ali Khan and tells her how to fight off the minimal-clothes menace.

"She told me that if producers want me to get into a bikini just because she did so once, I'm supposed to say, 'My mom made some mistakes. I won't repeat them.' There are some things which I don't need to be told not to do, just as I've my own list of dos," Soha told IANS

It took Soha's glamorous mother quite a long time to go from Satyajit Ray to a glamorous double role in Shakti Samanta's An Evening In Paris.

But Soha is already there in less than a year and will be seen in a double role in Aparna Sen's next.

"And the best part is mom too is part of the film. So it will be great fun to shoot. It will also be my first film with a female director, and I'm really looking forward to being directed by a woman," said Soha whose period love story "Khoya Khoya Chand" is ready to hit the screens soon.

Soha got rave reviews for her performance as the stifled bride in a feudal household in Rituparno Ghosh's Antarmahal. She had a lot of difficult, explicit scenes with Jackie Shroff in the movie.

"They may look difficult to the spectator. But they weren't that tough to do. Rituda showed me exactly what to do. My co-star Jackie was far more nervous and embarrassed than I was. He told my mother he'd never be able to do those scenes if she was around on the sets. We took every precaution. Everyone except the immediate crew and cast was ordered out of the sets. Rituda took good care of me. It didn't seem tough. "

Soha makes no bones about her aspirations as an actor.

"I'm not too old in the industry, still finding my way around. I can't say whether I'm cut out for 'Shaadi No. 1' or 'Antarmahal'. Ideally I'd like to do both kinds of cinema, just like my mom did. There're some things I won't be comfortable doing.

"Sometimes I feel I belong to another era. That's when 'Antarmahal' seems like my cup of tea. Then again I want to do a young contemporary girl's role because that's what I'm in real life. In 'Rang De Basanti', I played a young college-going girl. I like that."

Rani Mukerji in trouble for buying farmland

 


Rani Mukerji.

Pune, Nov 14  The district collector of Ahmednagar, Umakant Dangat, Wednesday ordered an enquiry into the reported purchase of agricultural land by Bollywood actress Rani Mukerji.

Dangat told IANS: "Rani Mukerji's father had come here a few days ago to have the land registered in their names but the land was already allotted for farming purposes."

The district's sub divisional officer has sent an inquiry notice to Rani with respect to the land, which she had allegedly purchased from an agent named Sampat More in village Nimba Korchali, about 400 km from Mumbai.

Dangat said the size of the land is 11 guntas (one fourth of an acre). However, the cost of the land hasn't been determined yet.

Rani reportedly paid Rs 33 lakh in December 2005 for the farmland near Shirdi in Maharashtra, not realizing the land is non transferable.

She even registered the sale deed paying Rs 1.32 lakh stamp duty in the district tehsildar office. The tehsildar now says ownership of the land cannot be transferred to Rani since it is government land leased out to a farmer.

The deal has been scrapped by the district collector.

"They should have inquired before getting into a transaction," said Dangat.

The sub divisional officer will scrutinize the records of the parties involved and pass an order thereafter.

Sampat More is now reportedly willing to return the money to Rani. The land was purchased in the name of Rani's father Ram Mukherjee.

Seventeen other people in the area have been duped in land cases in a similar manner.

Bollywood Actress Kareena at Trendz Fashion Ramp

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Bollywood's hyped disasters

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
It's been a year of the underdog, and a series of heavily promoted films have made headlines -- but haven't done much more.

Here, in the wake of Sanjay Leela Bhansali's Saawariya getting a royal flogging from critics, is a look at some other films that haven't managed to go the distance -- at least the distance expected from them.

'Saawariya' is a work of Bollywood-style magic

Raj (Ranbir Kapoor) and Sakina (Sonam Kapoor) get up close and personal as they begin to make a romantic connection in the new big-budget Bollywood film
Media Credit: Photo courtesy of Sony Pictures Classics
Raj (Ranbir Kapoor) and Sakina (Sonam Kapoor) get up close and personal as they begin to make a romantic connection in the new big-budget Bollywood film "Saawariya."

Raj (Ranbir Kapoor) transforms from an average Joe into a dashing and romantic Don Juan in the film
Media Credit: Photo courtesy of Sony Pictures Classics
Raj (Ranbir Kapoor) transforms from an average Joe into a dashing and romantic Don Juan in the film "Saawariya."
Some kind of nothingness buds into some kind of constellation of love then lost love. This is what it is, in Sanjay Leela Bhansali's poetic new film "Saawariya."

A huge part of this movie, however dreamy and fluid, relies on one of its most crushing aspects, which makes the entire journey sweeter and then weightless in the end. And it's that Bhansali knows his movie would be an impossible reality, not even for a night in our dreams.

Bhansali composes in "Saawariya" an imaginary world hard to emulate. The movie threshes on a cool sweetness for its majority and then turns things sideways, and in the process the audience examines some of humans' deepest emotions. Yet, it's all very fantasy-like, the one thing that'd save one from jumping into the screen to save the starry-eyed protagonist, Raj.

In this new hit from Bollywood, we meet a character unfulfilled and waiting for life's natural magic to strike. He is a symphony of grays on the inside, though a monolithic influence to the people in his surroundings.

Call it a form of karma, call it a symbol for suffering or call it the condition of Raj, played by newcomer Ranbir Kapoor, whose storm of talent includes de rigueur dancing and, as it appears on film, singing (Kapoor pulls a Britney Spears here; the soundtrack lists the rightful singing sensations, actually).

Raj is known as Saawariya, or "rock star," to his closest admirers who accumulate at the local nightclub where he works alongside Gulab (Rani Mukherjee), who immediately gets Raj's drift.

Raj, being the unsettled dreamer that he is, tramples into Gulab's neighborhood, a starry Red Light District, where he is transported into a vision of seeing his self-worth.

The setting becomes arousing with its visual saturation of splendor and mystery. It is a place that can be imagined as in a past time, as well as in the future. The lakes have no end and the backdrops are brightly embellished with oversized lotuses and Buddhas. In contrast to the smoky faraway, there is a pulse of blues and greens that help unfold this dreamscape of a world.

Suddenly, things start to click for Raj. He makes the transition from marginal pedestrian to poet and romantic. He has aspirations that could blossom into culminating a talent as tall as Fred Astaire's. Rapidly, he becomes a sort of local Romeo, too, making the women swoon.

With Raj's infectious dancebody in business, he puts the prostitutes to work by doing some dancing in a vast shimmery unison. Then, with Gulab's help, Raj is pointed in a safe direction to Lillian, an older woman who lives abandoned with ghosts of her dead son and husband.

And right when Raj's whistle becomes too heavy he meets Sakina, played by Sonam Kapoor, also a newcomer to the Bollywood scene. She is the missing piano, viola, trumpet and trombone to Raj's orchestra.

This is where takeoff begins.

Their affection for each other is fast and better said without words or configured through a kind of geometry. It is more like a gesture or emotion, like one that's interwoven in India's highly personal relationship with worshipping the seasons.

In "Saawariya," there is a steady magic that brushes over the obsession of the moon as an object of worship. In Sakina's case, she is all about the moon. It's this specific kind of yearning where the lust and masks of her true love come off.

In Indian folk tradition, this is where the person stands up and asks for nature to bring to them something they've sweated out in unbearable lengths of anticipation.

"No dark can harm those enlightened by love," Sakina mutters in her most forward moment, crushing the silence of her gashed yearning for another man, Imaan.

Without the sex and without vulgarity, this movie plays along with an infatuation and passion almost too wrong to live by. It is something undreamt of in American cinema today, which makes watching this Hindi film like being lost in a fairy tale wonderland, all while enjoying the task of reading the subtitles.

Visually, there is not a smudge of imperfection anywhere.

The motion of the story and its unfolding is yoga-like and painless.

Yet, the most crushing part could be digesting the part about lost love, and if it can be survived by dreamers like Raj.

Deepika Padukone's brand valuation bracketed with top actresses

 


Deepika padukone at the launch of Parachute oil.

Bollywood debutant star Deepika Padukone, brand ambassador for Parachute hair oil, unveiled the Parachute Massager at Taj President, Mumbai, Tuesday, November 13, afternoon.

Deepika looked presentable but understated in a belted brown skinny denims with white classic shirt, high heeled pumps and large silver hoops.

Following the success of Om Shanti Om (OSO), Deepika is being increasingly sought by the consumer industry to promote their products.

The Bangalore based model, who was recently in the capital to launch a designer clothing store, now commands a brand valuation of over Rs 80 lakh post-OSO. She was earlier paid Rs 15-20 lakh for every advertisement, reports the Economic Times.


Deepika padukone at the launch of Parachute oil.

"Her brand valuation is now in the bracket of top actresses. If not the same, her valuation is close to top actresses in the industry," says Pooja Dadlani, VP of Bling Entertainment, celebrity management agency for Deepika Padukone.

Deepika's big ticket endorsements include Liril, Close-Up, Levi's Strauss Signature, Limca, Maybelline and Kingfisher Airlines.

The debuts of the first family of Bollywood

It's an acknowledged fact that the Kapoors belong to the first family of Hindi cinema. It started from the legendary Prithviraj Kapoor, and continues to this day with Ranbir Kapoor.

But not many know that Prithviraj went against the wishes of his family when he joined the Hindi film industry. His grandfather Dewan Keshavmal Kapoor was a tehsildar (chief of town/village council) and father was in the police. Prithviraj started his career as an extra, but soon landed a lead role in Cinema Girl (1930).

Ranbir's launch, Saawariya, enjoyed a lot of hype, as it a Kapoor son was making a debut after a long, long time. The film may not have done as well but that's another story. We take a look at the Kapoor debuts through the ages.

Katrina Kaif: An underrated Bollywood talent

 


Katrina Kaif.

The buzz this year has revolved around Deepika Padukone and Sonam Kapoor on the new comer end or Aishwarya Rai and Priyanka Chopra on the established star end. In the midst, Katrina Kaif's endearing screen presence has been noticed but not adequately acknowledged.

Katrina, 23, has delivered three back to back big hits this year with Namastey London, Partner and Apne, which is more than what Aishwarya Rai or Priyanka Chopra have done.

In all the three films her presence tended to linger in the mind a lot longer than say Vidya Balan's performance in a big hit like Heyy Babyy. We are saying this despite being unabashed Vidya Balan fans.

Yet the Indian press is inclined to treat Katrina more as a Salman accessory than one of the most outstanding talents of 2007.

Earlier this year Katrina and Salman appeared together on public platforms suggesting a deepening romance. There were persistent media stories that a wedding was in the offing with some reports pinning it on Christmas day.

"People have been writing about Salman and me for the past five years. There's no issue to talk about and that is what I've been saying all this while," Katrina says

It has now been quiet some time since a media story suggested a Salman - Katrina wedding is on the cards.

Going by public appearances, the romance, if it was ever there, has run its course.

Katrina says "I'm too young" for marriage.

"I have a lot of stuff to do before I get married. I'm trying to settle my family in London. And you never know how things turn out in the long run."

What Katrina has going for her is natural talent and good looks. Her screen presence is consistently endearing.

What she does not have going for her is her British accent. As long as she is playing a NRI it goes but when playing the role of a girl in India it is limiting.

In the past Katrina has used someone else's voice in her films but lately she has been keen to use her own. We are not very sure that is a good move on her part just yet.

Katrina's forthcoming films include Main Yuvraj in which she is paired for the first time opposite Salman Khan and Race in which she is paired opposite Akshaye Khanna.

Cruise's Lions mauled by Bollywood

Lions for Lambs 372x192
Not the mane event... Lions for Lambs
 


There will be no comfort for Tom Cruise from film fans outside America. Lions for Lambs, the first movie studio United Artists has produced under his leadership, was outroared at the worldwide box-office by a Bollywood production, after garnering disappointing results Stateside.

The Robert Redford-directed movie, a dialogue-heavy drama centring on the war in Afghanistan and starring Cruise, Redford and Meryl Streep, took £4.9m from 45 countries. Its relative failure followed negative reviews, especially in the UK and Germany, and a disappointing result at the US box-office.

Lions for Lambs appears to have been trounced by Indian movies Om Shanti Om, a tribute to 1970s Bollywood films, and Saawariya, a three-hour musical based on White Nights, a Fyodor Dostoyevsky short story.

According to Variety, Om Shanti Om took in £8.2m while Saawariya cashed in £6.9m - placing Lions for Lambs at number three. However, Reuters crowns Saawariya as this weeks' winner, with £7.4m in intakes, with Lions for Lambs the runner-up film.

Whoever the precise winner was, the result looks like a rare victory for Bollywood over Hollywood. Despite their high popularity, Indian films seldom reach the upper echelons of the worldwide box-office. However, on this occasion, the Hindu religious holiday of Diwali had local film-goers flocking to cinemas.

Further down the charts, the Ben Stiller comedy The Heartbreak Kid added another £4.1m to its total intakes outside America of £19.8m. One place below found the Pixar animated feature Ratatouille, which cooked up more than £3.8m this week.

Bollywood bug bites Majidi

When Majid Majidi, one of the top Iranian directors, was in Delhi recently, it was to discuss his new film. With one of his assistant directors, Ramyar Rossoukh, who even doubled as his translator (no, sadly Majidi didn't talk directly to us in English) this veteran director began talking about his next film which will be set in India.
 
"We at SpotBoy had worked on a script and approached Majidi as we felt only he could do justice to it. However, he was already working on a script that interested us and after some rounds of discussions we decided to enter a partnership with him for a film that will now be shot in India," says Vikas Bahl, creative and business head, SpotBoy, UTV.
 
While it is unclear how much will be spent on Majidi's film, SpotBoy, which has already roped in directors like Shyam Benegal and Anurag Kashyap for its brand of films, will work on medium- and big-budget films.
 
In other words, depending upon the scripts, films under SpotBoy, UTV's second motion picture brand, will be made anywhere between Rs one crore and Rs 30 crore.
 
While Majidi says that the rich Indian culture (reflective even in Bollywood) has always interested him, what he wants to create with his first Bollywood outing is a synergy between the artistes of Iran and India.
 
"The cast and crew will be from India and Iran though my cinematographer Tooraj Mansouri will be a constant," says Majidi. He adds, "I like working with amateur artistes and I might do the same for this film too."
 
While he is tight-lipped about his first Indian film project, Bahl hopes to launch the film within the next eight months. "We are here to make films with very strong scripts," he says.
 
For now, let's wait and watch the magic that Majidi creates in India with his next film.

Saavn and Bollywood Awards collaborate

MUMBAI: Saavn has partnered with the Bollywood Music and Fashion Awards, which is now in its eighth year.   With this new partnership, Saavn and the Bollywood Group deliver even more of the South Asian content to audiences.

 

Saavn is a web community and social network that connects people through a common interest - South Asian content. Members can take view Bollywood and other South Asian film, music, television, sports and events on Saavn.com.

 

The Bollywood Group will also showcase the Saavn and Verizon Wireless contest where Saavn and Verizon are flying one lucky winner and a guest to India to meet actor Shah Rukh Khan, with the "Verizon, Shah Rukh and YOU!" contest. The prize includes two roundtrip airline tickets from the United States to Mumbai for an exclusive meeting with Khan.

 

"Saavn and Bollywood Group share a common vision, and that is to bring the best of Bollywood to fans all over the world, be that through live shows, movie distribution or ringtones on cell phones. Together, we can increase the visibility of Bollywood to an even greater extent and we find that tremendously exciting," said Bollywood Group vice president Rajiv Dandona.

 

"Through this partnership, we're proud to help serve the diverse, multicultural communities. The Bollywood Music and Fashion Awards have always been a great platform for all things South Asian," said Saavn co-founder and general manager Vin Bhat.

Movie review - Saawariya

Thumbs up! This pretty much sums up the review of the movie. To read what magic has Sanjay Leela Bhansali spun this time around, please click on 'Read more'.

Masha-Allah! What happens when a director who has given us Hum Dil De Chuke Sanam and Devdas, and most importantly Black, wants to celebrate love and life? The answer is sheer poetry . Saawariya takes you into a world which has beauty dripping from each and every frame of the movie. The director has hit his audience in the secret corners of their heart for this is a movie which celebrates the various aspects of love: madness, jealousy, rage, wait and above all love itself. With Sanjay Leela Bhansali at the helm of affairs, he completely overpowers you with his vision, and this is where the negative reviews of the movie find birth: the movie can only be understood by people who have actually fallen in love. It is not your run of the mill boy-meets-girl-overcome-problems-happy-ending story. It is that fable which will tug you gently at the heart and may even leave you miffed with a few questions for the seemingly bizarre climax.

New in town singer Ranbir is a happy go lucky person who arrives in search of his own destination love. Sakina aka Sonam is a girl who is living in her past and after a chance encounter with Ranbir she is torn between her past and present. A lissome prostitute Gulabji, played by Rani Mukherji watches the ups and downs of their strange love and Iman is played by Salman Khan, in a short role as the man behind it all.

The last time any actor made such an impressive debut was Hrithik Roshan with Kaho Na Pyaar Hai, seven years back. Though he is not to be compared with the superstar Roshan, this time you have Ranbir Kapoor carrying a movie on his shoulders like no other newcomer in a long, long time. He is lovable with his desperately-in-love act, and gets your attention bang on. After watching the movie you will get to know why the whole industry sang praises for him on the premiere night. Though pretty (tall) gal Sonam isn't as impressive as Ranbir himself, she does her own act well. And then you have Zohra Sehgal who lends great support in a brilliant act, though you wish there was more of Begum Para to be seen in the movie. But it is Rani Mukherji who will surprise you with her guest appearance. She is so lovable in her act.

Based on the novel White Nights, Sanjay plays the entire story in night time without making you feel claustrophobic at any point. His vision is so captivating that each and every frame of the movie has something to look out for, be it the sets which are the best part virtually, or the costumes which are aptly donned by the stars in each shot and sequence alike. The movie has been entirely shot in night sequences which can be easily understood when Sanjay brings the dark corners to life and, when the climax is over, the viewer might get an inkling as to why the director chose to do his whole movie in such devoid of sunlight parts. The Venitian themed sets are visually very enriching and you just HAVE to watch them on the big screen, for you are sure to fall in love with t hem.The songs of the movie are short yet beautifully choreographed and take the story forward in most cases though three songs in quick succession during the start of the movie might irk some of the viewers. But it is the performances which capture you the most.

Here are some of the problems which have made Saawariya the bashing toy of a handful of critics - argument is that they don't know which part of the world is this picturesque town located. Who cares? There have been too many movies with completely artificial backdrops, but Sanjay's town will mesmerise you and make you crave for one to be there in real. Argument two - What is the reason for Salman and Sonam's love's survival for so long? In that case Veer from Veer Zaara was totally stupid to have virtually spent his whole life thinking that his sacrifice saved his love, and Devdas should have eloped with Paro putting an end to all the drama that ensued in Sanjay's own Devdas, singing to her "main tujhko bhaga laya hun tere ghar se, apne baap ke darr se". Argument three - Salman disappears suddenly, why? The movie is not about Salman. It is about a young lad Ranbir who looks at the bright side of life, spreads cheers around, and one day falls in love with a girl who isn't really his, and what follows is the many travails of love lost and love found. Salman in a very short cameo might be annoying to some viewers, but the movie was never meant to focus on his history and why he disappeared. Why does Rani lose her temper when Ranbir comes to her? So you are arguing that a good-at-heart prostitute shouldn't have enough intelligence to shoo away a broken heart so she can save him from falling in love with a plastic flower! The last argument, on the climax, can again be justified on the fact that the movie celebrates the moments between love lost and found, and lost again. When did Sanjay deliver run-of-the-mill stuff by the way? But in case you have seen Sanjay Leela Bhansali's previous movies, you won't be so baffled and this is probably the reason why the young audience in the age of changing soulmates like clothes, might find it difficult to associate with the movie.

And this is the movie which is meant to be watched by all those who have fallen in love, especially if their love wasn't successful or suffered a blow from life's own twists and tales. So if you have ever fallen in love, or even if you haven't, go and experience how love drives you crazy and how you savour each and ever moment that you spend, or spent with your Saawariya .

OSO smashes US Bollywood record!

Not only is Farah Khan's OM SHANTI OM ruling the domestic box-office scene, it is also doing record breaking business in the Overseas.

As per the first weekend numbers, the Shah Rukh Khan, Deepika Padukone, Shreyas Talpade and Arjun Rampal starrer has grossed an unbelievable $1,764,131 in 3-days from the US. In doing so, OM SHANTI OM has smashed the previous weekend record, for a Hindi movie in the US. What is coincidental is that the record of $1,351,786 was previously held by another Shah Rukh Khan starrer, KABHI ALVIDA NAA KEHNA (2006). It will be interesting to see if OM SHANTI OM can break the highest US grosser record of $3,129,779, also held by KABHI ALVIDA NAA KEHNA.

OM SHANTI OM is also expected to break the current year record of $2,096,000, set by the Mani Ratnam's Abhishek, Aishwarya starrer, GURU. And that in less a week!

Coming to the performance of the other 'Diwali' release, Sanjay Leela Bhansali's SAAWARIYA, the movie has also performed very well. During the first weekend, the Ranbir-Sonam starrer has grossed a healthy $542,192 from the US.

View OSO premiere at London - Picture Gallery

 

20 Bollywood movies to be screened in Pakistan

 

Nov 13: Around 20 Bollywood movies are set to hit the screens in Pakistan in the coming days. `Awarapan` was the first bollywood film to have a premire in Pakistan, in June this year.

The Emraan Hashmi starrer had a simultaneous Indo-Pak release and had artists from both the countries performing in it.

Besides `Awarapan`, Ram Gopal Varma`s 2005 summer flick `Sarkar` was also shown in Pakistan. Both the screenings have raised the fans expectations.

Now they will get an oppurtunity to watch 20 more Bollywood movies, a well-placed source said.

A mix of old and new films is going to be screened, including `Killer`, `Gangster` and recent Diwali release `Saawariya`.

Films featuring Bollywood stars like Kareena Kapoor, Shahid Kapur, Salman Khan, Emraan Hashmi, Rani Mukerji, Preity Zinta, Ranbir Kapoor, Sonam Kapoor, Mahima Chaudhary, Priyanka Chopra and Mallika Sherawat among many others are likely to be showcased.

This move is also expected to curb down piracy, which is hugely prevalent in Pakistan.

Bollywood movies and stars have always enjoyed huge popularity among the Pakistani masses, irrespective of the on-off political animosity tbetween the two sub continental neighbours.

CHEETAH GIRLS LINE UP BOLLYWOOD MOVIE

American pop trio THE CHEETAH GIRLS are going Bollywood after deciding to film their third TV movie in India.
The Disney girl group wanted to shoot the film in an exotic location, so their fans could see what the Asian sub-continent looks like.
Singer Adrienne Bailon says, "On 12 January, we go to India. It's The Cheetah Girls in Bollywood.
"The cool thing about our jobs is that we're best friends and we get to travel. I think that for a lot of kids who may never be able to go to these places, we get to bring a whole new world into living rooms."